GUITAR
AMPS PAGE
SECTION 1: WELCOME
Welcome DIY
vacuum tube amplifier
constructors - this page is presented for your information and guidance.
It is intended to provide helpful hints to
save you inevitable pain and suffering in your quest for audio and musical
excellence, and to help you find joy in your chosen pathway to musical pleasure
and fulfilment !!!!
Please note the information provided is not
intended for the novice constructor. Basic circuit theory and construction
techniques are not attempted herein because it is assumed you already know that
and are competent in both.
My personal professional musical instrument
playing and tube audio experience has been developed over more than sixty five
years, so my contribution here is based upon a solid foundation of practical
application of tube electronics to musical performance.
I was very fortunate to have lived through
the golden age of tube guitar amps and rock and roll music - i.e. the fifties
and sixties – during the early development of commercial guitar amps designed
specifically for electric guitar in all of its forms.
Apart from the incorporation of discrete
effects using solid state circuitry in many modern amps, those dedicated tube
amplifier designs have stood the test of time to remain the preferred choice
for today’s musicians.
In any event, you will soon see I am not a
theorist, so whatever is say is based upon a combination of the reported
experiences of others, helpful guidance from my electronic guru friends,
reference to published texts from people who are considered to be reliable
technical experts, electron tube manufacturers' manuals and data sheets, and my
own experiments, research and experiences.
I hope it is of help to you in designing and
constructing the very best electric guitar sound system for your needs.
THE GOAL
The
purpose of this web page is to offer practical advice as to how the guitarist
or DIY amplifier designer or builder can create a sound system that will
enhance the musical talents and expression of the guitarist – be it yourself or
someone else.
To
do this the system needs to provide adequate power, adequate frequency
response, low distortion, linearity (equal amplification over the useable
frequency range), dynamic performance (responsiveness to light touch and asymmetrical
peak signals) and ability to modify the tonal characteristics of the raw guitar
to the desired sound.
Other
important system attributes are choice of tubes and components, reliability,
serviceability, layout, maintainability, size, weight and appearance etc.
The
core philosophy is:
IT’S ALL ABOUT THE SOUND !!!!
SAFETY WARNINGS:
DO NOT attempt to design
and/or construct a vacuum tube audio amplifier unless you suitably skilled,
qualified and/or experienced.
The Author makes no claim
whatsoever as to the validity or accuracy or otherwise of any statement,
information or opinion contained in these pages and no liability will be
accepted for any error or omission of any kind whatsoever.
Proceed only at your own
risk!!
No warranty of any kind
is expressed or implied as to the workability or performance of designs,
concepts or equipment described herein.
Never forget Murphy's Law: IF SOMETHING CAN GO WRONG IT WILL !!!!
·
VACUUM TUBES AND
CIRCUIT COMPONENTS OPERATE AT HIGH VOLTAGES OF BOTH ALTERNATING CURRENT AND
DIRECT CURRENT THAT CAN BE FATAL.
·
Most vacuum tubes
are glass encased devices that have been evacuated of air – i.e. they
contain a vacuum atmosphere. If dropped or impacted they are likely to implode,
shattering glass in any direction. Handle with care and respect. Do not drop or
impact. Always pack and store in padded wrapping or the manufacturer's carton.
·
When inserting
into a tube into its socket always take care to align all the tube pins
correctly with the matching socket. Incorrectly aligned tubes may result in high
voltages being applied to low voltage circuit components or systems, and may
result in short-circuit fault currents being applied with resultant expensive
damage to tubes and equipment.
·
DO NOT grasp a hot vacuum tube –
particularly power tube and rectifiers
·
To avoid serious
and permanent tube damage when constructing an amplifier, always ensure the
grid bias voltage is present at grids 1, 2 and 3 before applying B+ high
voltages to the circuit. In this regard, cathode bias and back bias
configurations are safer and more reliable designs than fixed bias.
·
Unloaded
electrolytic capacitors can hold their full charge for a week or more. Always
ensure large HV electrolytic capacitors are fitted with suitable bleeder
resistors to automatically discharge them after the amplifier is switched off -
otherwise you may expose yourself to lethal current if you accidentally touch a
live conductor. Persons familiar with
assembling and servicing personal computers and suchlike - all of which feature
fully insulated construction - must appreciate that tube amplifiers and
ancillary equipment operate at high-voltages and, unlike computers, have
unprotected open construction that is exposed to the touch - particularly
components connected to the AC mains supply.
·
Amplifiers that
incorporate a “standby” switch still have full mains voltage and high voltages
present in the system
·
ALWAYS ensure
your amplifier and guitar are grounded via the mains earth. Making contact with
another amplifier or mains connected device that are separately grounded, such
as microphone can result in electric shock.
Now that you have been
suitably warned, let us proceed together to explore the world of vacuum tube
audio.
WARNING - Exposure
to extremely high noise levels may cause a permanent hearing loss.
Individuals vary considerably in susceptibility to noise-induced
hearing loss, but nearly everyone will lose some hearing if exposed to
sufficiently intense noise for a sufficient time.
Hearing
loss or impairment may occur at a particular frequency or band of frequencies.
The U.S. Government’s Occupational and Health
Administration (OSHA) has specified the following permissible noise level
exposures:
Duration Per Day In Hours Sound Level dBA, Slow
Response
90db - 8 hours
max.
92db - 6 hours max
95db - 4 hours
97db - 3 hours
100db - 2 hours
102db - 1.5 hours max.
105db - 1 hour max.
110db - 30 minutes max.
115db - 15 minutes max.
According to OSHA USA, any exposure in excess of the
above permissible limits could result in some hearing loss.
Your
hearing health is in your hands.
© NOTICE: INTELLECTUAL PROPERTY
COPYRIGHT © D.R.GRIMWOOD 2002 - ALL RIGHTS RESERVED.
Copyright in all
quoted works remains with their original owner, author and publisher, as
applicable.
Please note that no
warranty is expressed or implied.
Intellectual
property in the original applied engineering concepts expressed in this paper
remains exclusively with their author Dennis R. Grimwood.
The whole or part
thereof of this paper and/or the designs and design concepts expressed therein
may be reproduced for personal use - but not for commercial gain or reward
without the express written permission of the author and copyright owner.
All rights reserved.
REMEMBER - ALWAYS TAKE CARE WHEN WORKING WITH
HIGH-VOLTAGE - DEATH IS PERMANENT!!
Contact:
"electron"
Email: contact
This page is located at
http://www.oestex.com/tubes/guitaramps/1_welcome.html
This page last modified 12 July 2023